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|Articles - September 2012|
|Monday, August 27, 2012|
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BY LINDA BAKER // ILLUSTRATIONS BY RYAN LOGHRY
Oregon's relationship with the film and television industry has always run a bit hot and cold. In the 1980s, the state did a brisk business as a location for network movies of the week, but that trade eventually went away, a victim of sea changes in the broadcasting industry. A spate of made-in-Oregon movies — Stand by Me, Free Willy — helped support a film economy through the 1990s, then much of that business disappeared to Vancouver, B.C., now one of the major film-production centers in North America.
In 2012 the local industry is once again on a roll. Fueled by state incentives, the industry spent $130 million in Oregon in 2011 producing film, television and TV commercials, up from $62 million in 2009. Three television shows — Portlandia, Leverage and Grimm — are shooting in Oregon at the same time. Some might say the current flowering of activity, with the television series as Oregon’s product du jour, is just another example of the market’s historic ebbs and flows. And yet the signs also point to a new stage in the evolution of the local industry — a stage marked by a focus on homegrown productions and on the business, not just the art, of film and media production.
To be sure, Oregon has always been more than a back lot for L.A. studios. Laika, the Portland-based animation studio, released its second major film, ParaNorman, just last month, and Portland has long been an epicenter for independent filmmaking. And yet, a decade ago, most of those filmmakers were content making movies for the festival circuit that may or may not have been commercial successes. Today, the presence of Grimm and other Hollywood shows, not to mention the technological upheaval occurring across all media channels, is changing the paradigm.
“There’s been a real shift in focus,” says Harold Phillips, a local actor who writes the blog Oregon Film and TV Dollars. “I’m seeing a new credence in the local industry to the business of producing.” Still vulnerable to market ups and downs, Oregon is far from becoming a Hollywood North or a Vancouver South. “But something new is definitely going on,” says Tom McFadden, executive director of the Oregon Media Production Association (OMPA). “We’re at a tipping point, a watershed. People now understand that making money is within their grasp.”
There are definite signs of changing times in the film and new media industry: the Hollywood-fueled small-business boom; the new market-oriented independent filmmaker; the merging of the technology and creative storytelling sectors; and the push to get banks and investors to fund a sustainable, made-and-produced-in-Oregon ecosystem.
Collectively, these people, projects and initiatives point to a sprouting celluloid forest, as well as the challenges associated with making it grow.
Thursday, July 10, 2014
BY TOM COX | OB BLOGGER
Tom Cox interviews Dr. Mark Goulston, author of Just Listen, Discover the Secret to Getting Through to Absolutely Anyone.
Tuesday, August 26, 2014
BY DEBRA RINGOLD | OP-ED CONTRIBUTOR
Why has six years become an acceptable investment in public undergraduate education that over-promises and underperforms?
Monday, August 18, 2014
Portland is in the middle of another construction boom, with residential and office projects springing up downtown, in the Pearl and Old Town. OB Web Editor Jessica Ridgway documents the new wave.
Wednesday, August 20, 2014
By Kim Moore | OB Editor
The 2015 survey launched this week. It is open to for-profit private and public companies that have at least 15 full- or part-time employees in Oregon.
Tuesday, August 19, 2014
BY TOM COX | OB BLOGGER
Tom Cox interviews Steve Balzac, author of "Organizational Psychology for Managers."
Friday, July 18, 2014
BY JASON NORRIS | OB GUEST CONTRIBUTOR
Back in May, we shared a common Wall Street quote about investing, “Sell in May and go away.” Fast forward to July and the most common question we have been getting from clients is, “When is the market pullback going to occur?”
Wednesday, July 09, 2014
BY LINDA BAKER | OB EDITOR
Scott Kveton, the CEO of Urban Airship is taking a leave of absence from the company. As the story continues to unfold, here’s our perspective on a few of the key players.
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Vigilant enters a New Year with a new president.
How George Fox has become one of Oregon's largest private universities.
Forest Grove sees growth in the burgeoning food and beverage scene.
Lane Powell Shareholder William T. Patton has been appointed to the board of directors for Cascade AIDS Project, an organization that provides educational services and outreach to thousands of Oregonians living with HIV/AIDS.
Fifty-one Lane Powell lawyers were recently selected by their peers for inclusion in The Best Lawyers in America® (Best Lawyers) 2015; of those selected, 23 lawyers are from the Firm’s office in Portland, Oregon.
Barran Liebman is proud to announce that Andrew Schpak, a Partner of the firm, has been named Chair of the American Bar Association’s Young Lawyers Division for the 2014-2015 bar year.